Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.
“In 1969, for their third album, the Grateful Dead eschewed outside producers and created Aoxomoxoa themselves, beginning a run of self-produced albums that would continue until 1977. Scrapping the first sessions, which were recorded to eight-track tape, the Dead now had 16 tracks with which to experiment their psychedelic sound, with an album that included entirely Robert Hunter-penned lyrics for the first time.” - Archivist David Lemieux
Dead & Company and Playing in the Sand promoter CID Entertainment donated $75,000 to various local charities in Mexico.
The historic New Year’s Eve event on the glorious North Shore of Kauai was a dream come true for us all. After a last-minute venue change, the event of a lifetime for hundreds of grateful people was hosted at the beautiful Prince Course.
Want to come see Dead & Company in Mexico? Just donate $10 or more to Headcount, REVERB, and other Dead Family Orgs, and you could win a trip to Mexico to see the band at the sold-out "Playing In the Sand" Experience! AND if you donate in the next 24 hours, you’ll also be entered to win a James Perse surfboard signed by the band!
This year's Dave's Picks series comes to a close just as the band's getting back together again in '76. By the time the Grateful Dead hit New Jersey’s Capitol Theatre - for the very first time - on 6/17/76, they were buzzing from their reunion, armed with new and revived material, the Rhythm Devils reformed with the mischievous Mickey Hart once again behind the kit. They'd skived off the unwieldy Wall of Sound and scaled back the venues from cavernous arenas to intimate theatres. Quite the treat!
"The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press